Orchestral & Choral Recording | Capellen Music Production

RECORDING FRAMEWORK

Recording at Capellen operates within a unified production structure designed for complex orchestral and choral work. Sessions are not treated as isolated services, but as part of a broader artistic and logistical framework where preparation, leadership and execution move as one.

Each project is approached individually —
balancing artistic intent, technical clarity and production efficiency within a single coordinated environment.

PRODUCTION CONTEXT

Capellen Orchestra & Choir operate as a boutique orchestral production house. The focus is not on standardized sessions, but on shaping each project around its artistic and production requirements.

Ensembles are assembled from leading musicians, concertmasters, principal players and elite vocalists drawn from Czech and international orchestras and choirs. This structure allows flexibility while maintaining consistency in sound, discipline and workflow.

Sessions are designed to integrate seamlessly into larger production pipelines — from film scoring to live performance recording and hybrid projects.

SESSION ENVIRONMENT

Recording sessions vary depending on ensemble size, orchestration density and musical complexity. Rather than fixed templates, sessions are structured to maintain clarity, focus and efficiency.

Typical considerations include:

Smaller ensemble sessions offer detailed control and higher musical precision
Larger orchestral sessions prioritize continuity, balance and coordinated performance energy
Preparation standards are adjusted according to score complexity and production timelines

The goal is always to support artistic direction while maintaining a controlled and reliable production environment.

MATERIAL PREPARATION

All sessions operate on the basis of prepared orchestral material. Scores and parts are expected to be performance-ready prior to recording.

Prepared material typically includes:

Fully orchestrated scores aligned with session structure
Professionally prepared parts with consistent formatting and clear notation
Coordination between orchestration, copying and rehearsal planning

Capellen can assist with orchestration, arrangement and score preparation when required, ensuring continuity between creative intent and practical execution.

SESSION STRUCTURES

Recording sessions are structured to balance artistic continuity with production efficiency. Formats may vary depending on project scale and objectives.

CAPELLEN SIGNATURE SESSION

Ensemble size: approximately 30–36 players
Recording time: up to 3 hours
Prepared orchestral material: up to 15 minutes
Typical recorded output: 5–8 minutes per hour, depending on complexity

Designed for projects requiring precision, flexibility and clear musical direction.

CAPELLEN CINEMATIC SESSION

Ensemble size: approximately 50–60 players
Recording time: up to 4 hours
Prepared orchestral material: up to 20–25 minutes
Typical recorded output: 4–7 minutes per hour

Designed for cinematic and hybrid productions where musical scope and production clarity must coexist.

CAPELLEN PREMIER PRODUCTION

Ensemble size: approximately 70–80+ players
Recording time: full recording day (two sessions)
Prepared orchestral material: defined per project
Typical recorded output: 3–6 minutes per hour, depending on complexity

Designed for high-profile projects requiring orchestral impact with disciplined execution.

RESOURCES & INSTRUMENTATION

Certain orchestral instruments are non-portable or venue-dependent and therefore require external rental.

This typically includes:

Grand piano
Harp
Percussion instruments (timpani, mallet instruments, specialty setups)

Instrument rental fees are not included in base session pricing and are quoted separately based on project requirements, availability, and logistics.

ADDITIONAL PREPARATION

The preparation scope listed for each session type represents the included maximum.

Preparation beyond this scope (for example, extended orchestration, additional alternate cues, or expanded safety material) is quoted separately upon request.

This ensures proper allocation of time and resources while maintaining session efficiency and quality.

PRODUCTION TERMS

Pricing structures are project-based and reflect ensemble size, preparation complexity and production scope. Rather than fixed packages, sessions are structured around artistic and logistical requirements.

Ensemble configuration
Preparation and orchestration needs
Recording duration and technical setup
Logistical complexity

SCHEDULING & COMMITMENTS

Projects are scheduled individually to maintain production continuity and ensemble availability.

General guidelines:

All pricing is quoted in CZK
A 60% non-refundable booking deposit is required to confirm a session
Full payment must be received no later than 7 days before the recording date
Sessions are confirmed only after payment is received in full
Instrument rentals and additional preparation are quoted separately

CLOSING NOTES

Recording at Capellen is part of a broader production philosophy — where artistic leadership, preparation and execution operate as a unified process. The focus is not on isolated recording events, but on shaping musical outcomes with clarity, responsibility and long-term continuity.